Earlier today on Google+, a friend posted Ten works of art that changed his life and asked others for their top ten.  They had to be works you’ve seen in person, not online or in a book.
Well, even though I knew I wanted to be a painter like the instant I was born, I never got to see any real art in person until I was in my early 20’s.  Now I find it very hard to pick only 10 from all the art I’ve seen since, AND to limit it to in-person experiences.  Anyway, these are the ten I picked this morning; this evening, I might have chosen differently.  🙂
In no particular order:

1. Cezanne, Basket of Apples (and more) — We studied this painting (and others Cezannes) extensively when I was in art school, studying “The Figure in Space:” notice how the back of the table edge, and other parts, don’t line up across the painting? Â According to my teacher, this was Cezanne’s way of introducing time and motion into painting, so early on. Â He would move around the room to paint the still life from different viewpoints.

2. Â Rothko, Rothko Chapel in Houston — my 1st trip to Houston, during my first art classes in Austin, late ’80s. Â So many shades of black, something that could be so oppressive. Â I found it very spiritual and deeply moving. Â I still get stuck in front of Rothko paintings. Â I am drawn in.

3. Â Hans Hofmann, Elysium — walking around the Michener Collection at UT Austin way before the Blanton Museum existed, with amazing painter Melissa Miller; she explained how Hofmann used color to push something back or pull it forward.

4. Â de Kooning, Excavation — The AbEx room at the Art Institute of Chicago was my sanctuary when I needed a break from painting or some inspiration. Â Pollock’s “Greyed Rainbow,” a Rothko or two, a Clyfford Still (love the jaggies), and more Hans Hofmann paintings, but this was my favorite. Â I was trying to learn to paint abstractly, and use more paint, bigger brushes! Â The thickness of this paint, the colors that peeked through from underneath another brushstroke — all that push-pull of thick paint and fascinating color.

5. Â Wayne Thiebaud — Got to see a whole exhibition at the old Modern Art Museum in Fort Worth in 2000 — while I really love the yummy, yummy thick paint and gorgeous color in his pies and cakes and such, I was really blown away by the perspective he used in his landscapes.

6. Â David Hockney, A Walk Around the Hotel Courtyard, Acatlan — During art school in 1992, some of my fellow art students and I trudged many blocks through the snow one lunch period to visit a gallery showing recent works by David Hockney. Â This was my favorite — taking Cezanne perspective to a new level.

7. Â Matthew Ritchie, The Slow Tide, et al — 2 things: a painting that goes beyond the canvas and onto the museum walls, floors, and ceiling; and 3D imagist abstraction, which was kind of new to me in 2001. Â I like others of his works better, but this experience at the Dallas Museum of Art kind of blew my mind.

8.  Marcel Duchamp,  The Passage from Virgin to Bride — I have no words for how much I love this and the other paintings like it: the palette, the breaking up of the image…Not sure where and when I saw this one; I think “The King and Queen Surrounded by Swift Nudes” might have been on display in the same show?

9.  Kandinsky, all the yellow abstract paintings — what glorious color!  I loved the ones on display at AIC, while I was a student next door.  Then we saw a bunch more wonderful Kandinskys at the Guggenheim, NY, 2003.  If Van Gogh’s yellows didn’t make me fall in love with that glorious color than Kandinsky’s did (but it’s a tough call).  🙂

10. Lee Bontecou, Untitled, 1960 — This was the sculptural canvas and steel art protruding from the wall in the Art Institute of Chicago (early ’90’s) that just drew me in and kept me there. Â And if you know me, you’ll know I’ve even recently begun a series based on this and other works by Bontecou. Â Woo-hoo!
Those are mine; what are yours?
