
Here’s the first of several new ink sketches I’ve been working on since I awoke yesterday. Not sure if the colors translate accurately.
Now back to working on tax info. 🙁
Abstract Paintings and Musings on Art
Here’s the first of several new ink sketches I’ve been working on since I awoke yesterday. Not sure if the colors translate accurately.
Now back to working on tax info. 🙁
This is my first completed drawing/painting of the year, completed on 1-1-11. I’m returning to working with ink, something I’ve spent many years doing since at least high school, but this time I’m trying out some experimental techniques. I’m also exploring depicting patterns like those seen in the skin of giraffes and sea turtles.
I sure do love to draw! There’s something about the act of drawing that’s so immediate, intentional and strong. My urge to draw has been just huge for the past couple of years, and I’ve mostly satisfied it through sketching, or drawing with water soluble pastels or water soluble pencils which I then brush with water to make little painting-sketches. Lately, though, I’ve been finding ways to introduce drawing into my painting process (again).
Today I’m starting a new painting which I began by drawing in some basic shapes with pastel, then adding a bit of oil medium, then some thin paint; now I’m working some oil pastel and oil sticks into the mix. It seems to be going fast, though my plan is for many layers, hopefully creating a glorious texture, surface and image in the process.
No pictures of the work today; I will post some of today’s painting if and when it evolves into something I am proud of.
In the meantime, enjoy your holiday weekend; I am (doing my favorite thing—drawing and painting).
(written in 1996)
It’s been 3 years since I left art school. I’ve been painting and drawing nightly for a while — it’s amazing how I’m starting to really ‘get’ some of the things I heard in art school, but somehow didn’t make it all the way through from my ears and eyes to my brain to my hands and brushes.
It was such an immersive and exciting experience to be in art school in Chicago, always doing, thinking, breathing, reading, seeing, smelling, tasting art, and always surrounded by others like me. At times it seemed like I was experiencing a sensory overload – I was like a kid in a candy store – there was so much I wanted to do and see – so much I DID do and see – our museum (hundreds of times), other museums, galleries, artist talks (like Ross Blechner and John Cage), school art openings and art openings in galleries, participating in some art shows, art camp at Oxbow, watching the beautiful iron-pour from the roof of the painting studio there, the sunset over Lake Michigan just like the painting we had seen in a slide just days before, parties, cheap dinners at great ethnic restaurants, a few nights out on the town, listening to great Chicago Blues, the occasional movie, the zoo, free music at Grant Park, riding my bike along Lake Michigan, riding the El, sliding on ice, trying to drive through snow. Getting in touch with the language and culture of my ancestors (which is so easy to do in Chicago, and so hard to do in Texas); having gobs of friends of so many ages from all over the world.
With all that going on, plus full-time classes and part-time working, it’s great to discover years later that somehow the lessons I kind of missed then were planted somewhere inside that didn’t manage to get lost.
Such as: